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Choir concerto - Schnittke / Vedel / Bortniansky

Year recorded

2023

Year published

Oktober 2024

Composer

Alfred Schnittke

Artemy Vedel

Dmitry Bortniansky

Artists

SWR Vokalensemble

Yuval Weinberg

Tracks

1–4        ALFRED SCHNITTKE (1934–1998): Konzert für Chor

5            ARTEMY VEDEL (1767–1808): Geistliches Konzert für Chor Nr. 21

              An den Strömen von Babel saßen wir und weinten

6            DMITRY BORTNIANSKY (1751–1825): Geistliches Konzert für Chor Nr. 32

              Herr, lass mich mein Ziel erkennen

Vedel and Bortniansky are among the most important composers of Ukrainian classical music of the 18th century. Little is known about Vedel’s life. The works attributed to him, including 31 choral  concertos, are all set to liturgical texts or Bible verses. In these works, the traditions of the Orthodox church music of his homeland, Ukrainian Baroque tradition and folk songs merge with a new Western European operatic and instrumental style.

Bortniansky is highly credited with bringing the genre of the sacred concerto to fruition. Consisting of psalm verses set to music, which were sung during the Eucharist in church services, its purpose at the time was far-reaching: as a universal genre, it was the highlight of the Orthodox liturgy, an adornment of the state ceremony that was additionally intended for a kind of domestic music- making. In the Western repertoire, it comes closest to the instrumental concerto grosso, the difference being that no instruments are permitted in the Orthodox service.